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Safita and Husn Suleiman
Safita
Visible from both Krak Des Chevaliers and
Tartous is the tower at Safita. This tower, which is located in the village of Safita is nearly the only part left of the Chastel Blanc of the Knights of the
Templar.
The Crusader fortress, which was part of the domains of the Count of Tripoli in 1112, was taken over by Nur Al Din and nearly completely demolished in 1167. After 1188 the knights Templar were given responsibility if this area and they reconstructed the fortress. It was then rebuilt and renovated again after the 1202 earthquake. In 1271 it fell to Baibars of the Mamelukes and the Knights were ordered by
Tartous to evacuate.
The watchtower is very typically blank with a few firing slits, but it is still in use as the town's main Greek Orthodox Church. It can be visited and it is possible to climb the steep steps up onto the roof, where the view is magnificent - it is possible to see Tartous and the
Krak from here.
Husn Suleiman
About 20 Km away from Safita is Husn Suleiman, or the Temple of Zeus Baotocecian. This has been the center for cult worship since about 1000 years. The first temple built here was constructed by the Persians.
The remains seen now date back to the Romans, although they still occupy the site of a Semitic or Canaanite temple set up for the worship of Baal. Baal was later merged with the Greek correspondent Zeus and was known as Zeus Baotocecian. What remains of the temple is of Roman construction and was built between the 1st and 2nd centuries AD. The flourishing of this cult was quite extraordinary, especially as Constantine had proclaimed Christianity as the religion of the empire.
The layout of this temple is very typically Syro-Phoenician. It embodies a large roofless compound with a central cella that houses the altar. This resembles the layout at the
Temple of Bel in Palmyra and the Temple of Jupiter at Baalbek in Lebanon, especially the use of gigantic stones. There are four gates to the temple and each gate is decorated with porticos of eight columns and figures of eagles that are barely recognizable.
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